Apart from shooting the event, I’m also tasked to go through every photo for quality control which means I see all my colleague’s photos.
One of the shots that I processed at the end of the event caught my eye and totally blew my mind:

A-Live Entertainment at the Australian Dance Festival by JCPhotography

]]> http://minwye.com/blog/2010/09/16/weekly-photo-inspiration/feed/ 0 http://minwye.com/blog/2010/06/10/doudoule-performances-2010/ http://minwye.com/blog/2010/06/10/doudoule-performances-2010/#comments Thu, 10 Jun 2010 11:50:01 +0000 Min Wye http://minwye.com/blog/?p=816 I have been a little slack with posting my favourites on my blog. Here are another three photos from the Doudoule Latin Dance Camp 2010 that I really liked

You can check out the rest of the performance photos at my gallery here: http://photos.minwye.com/Dance/2010-Doudoule-Latin-Dance-Camp/

Also, the videos are up on Brisbane Salsa here: http://www.brisbanesalsa.com.au/Video

There were a couple photo that struck my eye.

This was James and Kelsy’s first performance together and they wow’d us with a zouk routine. Apart from that, it was also Kelsy’s birthday that day! Happy Birthday Kelsy!

-You can check out the video of the performance at Brisbane Salsa – James and Kelsy Performance

…and check out the other performance photos at Doudoule Latin Dance Camp Performance Photos

Heres a sneak peak of a shot I got on Saturday night of the Latin Steps Salsa Divas(Latin Step’s women only shines team) led by the beautiful Miss Elli Torres =)

Im still going through my photos and figuring out the best place to upload them. In time, Ill get all 100+ performance photos out.

ps – can you tell they are mid-air?

pps – You can view the girls divas in action at Brisbane Salsa

Gear
The better your camera, the faster you shoot to capture those moments.

Good Eye
For better composition(avoids loosing a limb from the shot) getting as tight as possible to reduce post-production.

Quick Reflexes
Especially important for group performances, different couples/dancers might perform different moves. This is tough as it is with only 1 dancer/couple.

Good understanding of the dance style
Knowing the dance style gives you a good comprehension of what to look out for, catching the great lines and this ties in to the musicality when the music hits a stop, generally the dancers will have accentuated movement or pose.

Great Musicality
Knowing the music allows you to foresee photo opportunities. Dancers often take advantage of musical flow, highs and lows of the piece to accompany their movements on the stage.

Great Positioning
This is probably one of the most essential of the lot. No amount of gear, quick reflexes, understanding of dance style or musicality will save you if you have a seat that is facing the dancers back. In most cases, it will be difficult to move during a performance so choose your seat wisely or you could well write off that shoot.

Check it out and tell me what you think of my following! =D

Word of advice from me, dont eat “curry” before going to dance…I will learn from my mistakes..

1. Alex Bryan and Ebony Berrel performed a contemporary routine.

2. Ulysses MacLaren and Jasmin Addison with a Salsa.

3. Giancarlo and Masha on a cha-cha.

Tell me, which is your favourite?

Taken from “Go Dance July Newsletter, the art of following“

By Mylie Arnold

In dancing, a good follower responds to the leader quickly, creating the impression that the two are moving as one, embellishing upon his leads with fantastic styling, while being responsible for creating her own movement and speed. She must do all of this while not taking away the leader’s options for directing the dance.

When I started dancing I had a difficult time with the concept of following. The word itself seemed submissive, but when I watched great followers, there was nothing submissive about them. They were strong and powerful, obviously equal partners in the creation of a beautiful dance.

In the beginning I was told what seemed to be contradictory and incredibly frustrating: One person would say, “You’re not letting me lead. Wait for me,” while the next partner would say, “Move yourself. I feel like I’m having to push you around the floor.”

I’ve never been a fan of ambiguity. I wanted someone to tell me the magic words that would make it all clear and turn me into a great follower. Eleven years and well over 10,000 hours of dancing later, I now know that it takes time and practice, along with quality instruction, to find the balance in following. Although there are no magic words, there are skills a follower must develop in order to be at the top of every leader’s want-to-dance-with list, and here are a few of them.

Learn Vocabulary

Many followers have asked me, “Why should I learn patterns when there is no way I will ever know all those that I will encounter while dancing with different partners?” While that is partially true, this is why you want to learn them: If dancing equals non-verbal communication, then patterns equal words. You are more likely to discern a new pattern, which is based on the similarities to other patterns you do know and the context they are in, if you have a large dance pattern vocabulary. It is the same way that you understand the meaning of an unfamiliar word based on its context.
Drill Those Spins!

Spins are a fact of life for followers, so it is necessary to become friends with them. In many dances—including Salsa, West Coast Swing and Two Step—you will be expected to dance double turns after six months, and the triple turns start sneaking in near your one-year dance anniversary.
The good news is that spins are one of the easiest things to practice regularly and you don’t need a partner to do so. Many a spin has been practiced in a bathroom or kitchen since these rooms usually have a smooth floor and you don’t need much space. You can also show up early to class and practice during the break between classes. Regardless of where you do it, the most important part is to practice spins regularly—just 5-10 minutes every day or so will make a difference.

One of my dance partners was known as an excellent spinner. Many times I heard him tell students, “I’ve never met anyone who has fallen over as many times as I have, and couldn’t spin just as well as I can.” His point: you have to take classes and private lessons to learn the techniques for spinning, but you also have to practice them over, and over and over again until you know your own center of balance. Also, disciplines like yoga and Pilates are an excellent workout choice for dancers for improving balance while increasing flexibility and core strength.

Listen With Your Whole Body

Being a good follower means learning how to be responsive to your partner while being 100 percent responsible for your own movement at the same time.

It is amazing what you will be able to follow when you make listening a top priority. I don’t mean just with your ears—although do keep them open because every once in awhile you may run into the ever-so-classy, “Duck now!” lead. You must listen with your eyes and every physical connection with your partner. The more you listen, the more nuances you will start sensing intuitively. Before long, people will be asking how long you and your partner have been dancing together—even if it is your first dance together.

Be A Good Dancer In Your Own Right

When I hear followers say, “Well, it works just fine if I’m dancing with a good leader,” I always tell them that is a reflection of the leader’s dance abilities, not theirs. However, being a great follower also means being able to dance well with leaders of your own ability and those who are less experienced.
When a couple is dancing, the more experienced dancer is constantly making adjustments for the other partner, who is usually unaware of this. Afterwards, if you are the less experienced half of the partnership you may leave the dance with a feeling of awe, thinking, “Wow, I didn’t know I could dance like that. That felt great.”

Given the law of averages, we are not always going to have partners who are better than us, so why not take control and become a great follower? Then you will enjoy all of your dances more, and as an added bonus, you can give the gift of a “wow” dance to many of the leaders.

Some people say the follower is the car, and the leader the driver. I prefer the analogy that the follower is driving a car and the leader is giving directions. This illustrates just how much power and responsibility the follower really has. All the leader can do is ask, then it’s up to you to get the rest of the job done. You, the follower, are the one who has to correctly interpret the leader’s directions and physically carry out his wishes.

Today I find the challenge of following fascinating and fulfilling; it is one of my favorite parts of dancing. My best advice is to fall in love with the challenge of being a truly amazing listener, and work on your dancing through pattern knowledge, technique, styling and connection. Then when someone says, “Dancing with you is like the difference between driving a tractor and a Ferrari,” you will know that he is comparing you to the Ferrari.

This should shed some light on following for the girls and even some guys who are starting out or who have hit a wall/plateau with their leading. Of course, this is just a stepping stone to increasing your skill as a dancer and improving doesnt happen overnight but rather over countless days, months and possibly years of practice!

Let me know your thoughts on this article!